In more ways than one, a garden is an apt metaphor for describing life. It’s difficult to tend; it requires patience, skill, and planning; and sometimes, despite a great deal of love and labor, the seeds we plant don’t always grow or blossom as we had hoped. Our internal lives can act as a garden, …

Continue reading “Hot House”

Understanding the chaos and grandeur of Elliott Hundley’s collage works means understanding the fundamental unit of their construction: the intimate and almost sentimental act of sifting through old objects and images, delicately cutting them out from their original form, and then placing them on pins as if they were entomological specimens. Hundley does this hundreds …

Continue reading “Echo”

With all of its flesh tones and synthetics, its re-purposed refuse, its simulations and premonitions, its wisps of human history and myth—and especially its rethinking of the body—“Durian on the Skin” feels very post-human, maybe even a little post-apocalyptic. Before seeing the show, “Durian on the Skin” caught my interest as I wanted to see …

Continue reading “Durian on the skin”

Oil painting’s historical connection to wealth—and more specifically to the rise of capitalism—is not news to anyone. As the art critic John Berger pointed out, oil painting’s rise to prominence as a medium had a lot to do with its ability to express the changing worldview of the Western European ruling class of the 16th …

Continue reading “LOW VOICE OUT LOUD”

While the majority of Americans, 72% according to a 2021 poll by Yale University, believe global warming is happening, only 47% seem to believe that it would harm them personally. This alarming second statistic seems to prove the national disconnect as to why most individuals don’t seem to “feel” the same urgency as those who …

Continue reading “Mapping The Sublime: Reframing Landscape in the 21st Century”

“Listen up, motherf*ckers! Now we’re having fun.” The lines come squawking through a speaker (as in, an object producing sound) on the floor, but who is the speaker (as in, the subject producing the thought)? Is it the African grey parrot, or the scarlet macaw represented in high definition on two vertically-oriented wall monitors? Do …

Continue reading “The Conversation”

One of my favorite half-truths in the art world is that there really isn’t anything new, just variations of what’s come before. It’s true that what might appear undeniably “new” can be endlessly dissected into “old” components, merely recombined. This seems like a dispiriting process, but it reveals another truth: that something exists apart from …

Continue reading “We Are All Guests Here”

In a moment of acceleration and rapid climate change artists must ask what it means and entails to approach this moment—the Anthropocene—from the vantage point of art-making. How can artists recalibrate notions of art to respond to this new planetary epoch? And how can artists use the sites of art to imagine a new future? …

Continue reading “Song of the Cicada”

Perhaps it’s by default, reverence, or sentiment that we think of the progenitors of an art movement as having more difficult challenges than those who maintain it. But artists in the lineage of painterly abstraction increasingly face a new kind of problem, which verges on paradoxical: how does an artist advance an aesthetic when the …

Continue reading “Sacred Witness Sacred Menace”

Desert X is an exhibition that exists in two modalities. One is in the physical world – the actual sites of the work scattered throughout the Coachella Valley The other is the virtual world of media – both that produced by Desert X, and the ad-hoc user-generated documentation via social media. After a year of …

Continue reading “Desert X 2021: Places and Ideas”